On becoming lost
Something that is vital to my existence, and it’s often very misunderstood, is being...
With the advances in understanding the technical and working with people, it quickly became evident that I would need more equipment to experiment with and master in order to continue this exploration.
It began with a single speedlight, then two then four, until I graduated to 600w studio heads. Modifiers have always interested me. The bring about a subtleness within the light that masks their presence within a scene, while creating shape and depth and bringing the vibrancy of the landscapes to life.
Larger modifiers required more research and the implementation of them in practice was harder than I’d imagined. Initially I used engine pulleys in warehouses before investing in some solid stands and sandbags to create with these tools outside.
Aboriginal and Torres Strait Islander viewers are advised that this gallery does contain images and voices of people who have died.